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Two main corpus can be identified in Rauchenberger’s work: ‘Artificialia‘ and ‘Naturalia‘, which include different series of works.

Both in ‘Artificialia‘ and in ‘Naturalia‘, as well as in all of Rauchenberger’s works, there is a profound link between art and music: in the photographs the movements and gestures of the sculptural bodies, as well as the metamorphoses of the natural world follow a visual rhythm that takes shape through the lines, shapes and colors of the composition; in videos and installations, the images are often accompanied by recorded sounds or by unpublished reinterpretations of classical music pieces sung by the artist.